记者从中国济南国际摄影双年展组委会获悉，第七届济南国际摄影双年展邀请展：《从长安到罗马——中意院校摄影邀请展》将于10月25日在山东工艺美术学院2号馆、3号馆与广大市民见面，15个中国艺术院校及10个意大利艺术院校的师生影像作品将通过展览的形式集中呈现给大家。

　　《从长安到罗马——中意院校摄影邀请展》

　　主办：中国济南国际摄影双年展组委会

　　承办：西安理工大学艺术与设计学院

　　协办：特想集团·大师工坊

　　地点：山东工艺美术学院2号馆、3号馆

　　时间：2018年10月25日至30日

　　总策划：曾毅

　　策展人：张辉 、Angelo Collura (意大利) 、Alfred Mirashi(意大利)

　　长安是中华文化的典型代表之一，罗马也是西方世界中无可替代的文明高地。一个是以其“壮丽”而达“重威”，一个是用大理石建造的“永恒城市”，他们东西相望，在各自不同的地点构建出浓墨重彩的文明谱系。回望历史，自公元前140年张骞凿空之始，经过公元609年隋炀帝西行，到公元1298年的马可波罗游记，都在丝绸之路上演绎着水乳交融的历史篇章，中意文明交流的成果也一直影响着现今世界的我们。

　　2018年，距那第一个东西方交流的历史瞬间，已经横亘了2158年。如今，在中国济南国际摄影双年展的平台上，我们有机会能将15个中国艺术院校及10个意大利艺术院校的师生影像作品，通过展览的形式，集中呈现给大家，就是期望中外高校借此机会相互交流相互学习。由于文化、经济的区别，中意两国在艺术认知、摄影观念表达和展现中，有较大的差异。但两国高校的教师和学生在作品中都是力求关注现实、关注生活、关注自我生存体验，他们用当代视觉艺术的方式，传达了中意青年艺术家对梦想追求的理念，这种文化和地域的差异在此次展览的艺术语言中重逢、相通，并获得完全的新生。

　　望此次展览中那些充满活力和艺术魅力的摄影作品能在中西方文明交流过程中，增添新的光彩。

　　                                                                                                                     张辉

From Chang'an to Rome

　　Chang'an is one of the typical representatives of Chinese culture, and Rome is also an irreplaceable civilization highlands in the western world. Chang'an is "magnificent" and "majestic", and Rome is the "eternal city" built with marble, and they construct rich and colorful civillization in the East and the West. Looking back at history, since the beginning of Zhang Qian’s departure to the western region in 140 BC, after Emperor Sui’s western journey in 609 AD, to Marco Polo’s travels in 1298 AD, they all play harmonious historical chapters on the Silk Road, and the achievements of China-Italy cultural exchanges have also been influencing us in the world today.

　　In 2018, 2158 years have passed since that first historical moment of east-west communication. Today, on the platform of the Jinan International Photography Biennale in China, we have the opportunity to show the images of teachers and students from 135art schools in China and 10 art schools in Italy through the form of exhibitions. We hope that Chinese and foreign universities take this opportunity to exchange and learn from each other. Due to the differences in culture, economy and political background, China and Italy have great differences in artistic cognition, photographic concept expression and works presentation.

　　However, the students of the two universities in the two countries are striving to pay attention to reality, life and self-survival experience. They use the way of contemporary visual art to convey the idea of young students in both countries to pursue their dreams. This cultural and geographical differences will reunit and communicate in the artistic language on this exhibition and will be completely revitalized.

　　It is hoped that the vibrant and artistically fascinating works in this exhibition will add new brilliance to the exchanges between Chinese and Western civilizations.

　　                                                                                                               Zhang Hui

　　意大利参展院校：

　　佛罗伦萨国立美术学院、拉文纳美院、卡拉拉美院、福贾美院、阿奎拉美院、巴勒莫美院、威尼斯美院、都灵美院、米兰布雷拉美院、卡坦扎罗美院 、雷焦卡拉布里亚美院、 那不勒斯美院、乌尔比诺美院

　　中国参展院校：

　　中央美术学院、中国美术学院、清华大学美术学院、鲁迅美术学院、西安美术学院、南京艺术学院、天津美术学院、上海美术学院、山东工艺美术学院、西安理工大学、北京印刷学院、湖北美术学院、浙江传媒学院、黄河科技学院、上海工程技术大学

　　执行委员会

　　执行策展人：王怡卜、王硕

　　展览监理：罗斌

　　微信推广：李文泽、贾诗楠、张心睿

　　海报设计：李家燕

　　展览时间：2018年10月25日至30日

　　展览地点：山东工艺美术学院2号馆、3号馆

    西安美术学院

　　Xi'an Academy of Fine Arts

　　联合策展人：谢爱军

　　西安美术学院影视动画系摄影专业

　　西安美术学院影视动画系摄影专业创建于1995年，现下设艺术摄影工作室、实验影像工作室，同时拥有传统银盐暗房实验室、数字摄影实验室、摄影拍摄实验室。摄影专业注重培养学生独立思考与创作的能力，不断激发学生在新技术与新观念上的实验与探索精神，旨在创作出更具当代视野与人文关怀的作品。摄影专业在夯实基础教学环节质量，深化内涵式发展的理念，关注并践行本专业学术前沿，不断提升教学水平的同时；以其国际化的媒介优势，先后多次聘请国内外知名专家学者前来进行讲座、授课，开办工作坊，并积极组织策划了一系列的重要展览与学术交流活动，有效地提升了摄影专业在国内的学术地位和影响力。自上世纪90年代以来，摄影专业师生先后获得数百个国内外重要奖项，获得了广泛的社会声誉与来自各界的好评。

　　Photography Major, Department of Film and Television Animation, Xi'an Academy of Fine Arts was founded in 1995. It has art photography studio, experimental image studio, traditional silver salt darkroom laboratory, digital photography laboratory and photography photography laboratory. The photography major focuses on cultivating students'ability to think and create independently, and constantly stimulates students' experimental and exploratory spirit in new technologies and concepts, aiming at creating works with more contemporary vision and humanistic care. The photography specialty has strengthened the quality of basic teaching links, deepened the concept of connotative development, paid close attention to and practiced the academic frontier of the specialty, and constantly improved the teaching level. With its international media advantages, it has invited many famous experts and scholars from home and abroad to give lectures, lectures, workshops and actively organized them. A series of important exhibitions and academic exchanges have been planned to effectively enhance the academic status and influence of photography in China. Since the 1990s, Photography Professionals and students have won hundreds of important awards at home and abroad, won a wide range of social reputation and praise from all walks of life.

　　谢爱军 XieAijun

　　谢爱军，1962年7月出生于陕西。现为西安美术学院影视动画系副主任、副教授、硕士研究生导师。中国摄影家协会会员、摄影教育委员会委员，中国高教学会摄影专业教育委员会常务理事，陕西省摄影家协会理事，陕西高校摄影学会副主席、专业摄影教育委员会主任。

　　社会的变迁、矛盾、冲突，人的表像与内心是我摄影的主题。没有哪一种艺术形式能像摄影这样直面生活、映照生活，进而以艺术的方式表达个人对现实的观看。我想这是摄影的力量与责任。

　　在摄影语言形态上，我既想回避传统的“纪实”摄影以专题报道、图片故事的实证性模式，又对随着数字摄影技术的兴起发展而“闭门造车”的PS没有兴趣。我努力在作品中寻找去情节、去故事的“独立影像”。试图更多的呈现出影像背后所内涵的文化意义。影像往往是我与拍摄对象之间相互寻找过程中所形成的，有时费力寻找却找不到它，有时它在找我却碰巧相遇了......

　　Being a man during the 1960s,during the time of the Cultural Revolution.I went through a thirty year Social “Upheaval”.During this time economic development was the central task .My body of photography explores :conflict,contradiction,variety,and the changes of modern society in China.There is no other form of art like photography that can directly document reality,and reflect life in such a manner.I express interpersonal emotions of reality through my art practice.This direct assimilation of reality is what I find what makes Contemporary Photograph triumphed.

　　“My series of photography “Slow”not only deals with untraditional documental film ,but also the avoidance of the“Digital Generation”,such as the mass-production of Photoshop techniques. I am looking for the details, Episodes,and the“Independent Image”of the stories in reality.I want to reflect the historical meaning behind every piece of my photography.This“Independent Image”is formed between the objects I photographed and myself.The process of finding my “objects”,sometimes might take a while ,or sometimes my “objects”come into play and find me first.”